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| Création réalisée aux crayons de couleur* 2019 - Liens collection SOLISTES* |
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2019 - Animations Quatre saisons, processus
Processus, étapes
2011 - Quand les MetM'S'en mêlent
Animation autour d'in projet
Visuel sur “Cabaret”
2017 - Liens collections Intemporelles
Incontournables***
2019 - Abécédaires collection*
Depuis Janvier 2019 à Août 2019
2015 -Les portraits illustrés de peintres
Quand les peintres s'affichent
2019 - Liens Intemporelles graphiques*
Dessins de clefs et notes de musique*
2019 - Insectes & Nuisibles
Dessins originaux sur thème
2019 - Présentation projet Femmes
XXème siècle des femmes
2019 - Présentation projet 2
Sur le premier conflit mondial
2019 - Dessins, esquisses, et autres…
Dessins et compositions
2019 - Géométriques, Cercles et Carrés
Dessins originaux sur thème
Lien Masques 2017
Créations © “dessins et peintures”
2019 - Liens compositions florales, paysages
Créations tous supports
2019 - Pastels - Liens directs***
Portraits, personnalités diverses
2019 - Liens Scribes et lettristes*
Ecrivains, divers
2019 - 1914-1918***
Centenaire 1er conflit mondial
2019 - Liens Aviateurs et pionniers***
Aviateurs, hommes et femmes
Solistes'Set Collection*
Peintures Tech. mixte*
2019 - Folies Graphiques*
Dessins et Peintures originaux
Trompes l'œil
Peintures
1914-1918
Un gros travail de documentation
Qui êtes-vous ?
- Jean-Marc Mellier
- Athis-Mons, Essonne, France
- De formation supérieure en arts graphiques, je crée et dessine tout ce qui est présenté sur le blog
Jean-Marc MELLIER
RépondreSupprimerHe discovers women through painting
Lingering on the edges of a salon allows you to discover talents that you do not suspect.
At a fair of artists briards in the Hôtel-dieu de Brie Comte Robert, the competent visitor could not ignore the paintings by Jean-Marc Mellier. Her four works presented, in particular Femme d'O and City Women’s, swept by the light of the first floor, did not hide anything about the immense talent of their creator.
Jean-Marc Mellier paints women “At the age of sixteen, I produced a work on the virgin “at the Hôtel d'Albray” he recalls in the beginning of his art.
His technique, firmly based on a thorough study of the composition, he works according to his cardboard, is supported by an original and precise graphics without being boring. I assume that everything is good to use, a glass, a jar... Whatever my subject, I make my own compositions. I work according to a cardboard that serves as my logo, several works are from this work, so the cardboard of Bayadères allowed me to make the boudeuses.
The light
Light has an important place, even primordial in his work. How can we not stop at the ethereal forms of “Women of O” that seem to be out of the space in which they evolve, shadow more than flesh, they embody the whole elusive mystery of femininity. Provocation, dialogue between the real and the dream, fantasy of the artist in search of true pleasure ... Histoire d'O calls us to reflect
Questions
If the “Temporelles” ask us about the real place of the woman’s body in the composition, they invite us to follow them in their wandering through a world that they would like to imagine.
In the foreground, the woman seems to wait and then, little by little, a voluptuous horizon is drawn out far away to return, an organic mass yet fragile, primitive, sensual, but so real of the secret woman who ends up giving herself body and soul. The exuberance of the bodies offered in «Bayadère-nuits parisiennes» opens a long dialogue between the real power of the privatist never disputed, and more so when it comes to the confrontation between the obvious feminism and the decadent superiority of the male object. These women speak for themselves and lead us to reflect on their elusive yet real power.