mercredi 25 mars 2026

2026 - L'Avers et son REVERS - 34*

L'Avers et son Revers, REVERS 34*
2012 - L'élu - 80x80 c
2011 - UNICEF et “Les Continentales”
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2 commentaires:

  1. Jean-Marc Mellier25 mars 2026 à 22:38

    Portrait Briard in the republic

    Jean-Marc MELLIER
    He discovers women through painting

    Lingering on the edges of a salon allows you to discover talents that you do not suspect.

    At a fair of artists briards in the Hôtel-dieu de Brie Comte Robert, the competent visitor could not ignore the paintings by Jean-Marc Mellier. Her four works presented, in particular Femme d'O and City Women’s, swept by the light of the first floor, did not hide anything about the immense talent of their creator.

    Jean-Marc Mellier paints women “At the age of sixteen, I produced a work on the virgin “at the Hôtel d'Albray” he recalls in the beginning of his art.
    His technique, firmly based on a thorough study of the composition, he works according to his cardboard, is supported by an original and precise graphics without being boring. I assume that everything is good to use, a glass, a jar... Whatever my subject, I make my own compositions. I work according to a cardboard that serves as my logo, several works are from this work, so the cardboard of Bayadères allowed me to make the boudeuses.

    The light
    Light has an important place, even primordial in his work. How can we not stop at the ethereal forms of “Women of O” that seem to be out of the space in which they evolve, shadow more than flesh, they embody the whole elusive mystery of femininity. Provocation, dialogue between the real and the dream, fantasy of the artist in search of true pleasure ... Histoire d'O calls us to reflect

    Questions
    If the “Temporelles” ask us about the real place of the woman’s body in the composition, they invite us to follow them in their wandering through a world that they would like to imagine.

    In the foreground, the woman seems to wait and then, little by little, a voluptuous horizon is drawn out far away to return, an organic mass yet fragile, primitive, sensual, but so real of the secret woman who ends up giving herself body and soul. The exuberance of the bodies offered in «Bayadère-nuits parisiennes» opens a long dialogue between the real power of the privatist never disputed, and more so when it comes to the confrontation between the obvious feminism and the decadent superiority of the male object. These women speak for themselves and lead us to reflect on their elusive yet real power.

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  2. Jean-Marc Mellier25 mars 2026 à 22:40


    J'ai passé un agréable moment à regarder tes oeuvres! Et j'ai recommencé avec ma fille Laurence qui aime beaucoup le dessin!!Bravo!! sans flatteries aucunes, elle aussi était de mon avis: c'est du beau travail!!J'ai apprécié le dessin précis dans la construction de chaque oeuvre, la recherche, et la mise en couleur, l'originalité de
    l'imaginaire! Enfin des toiles qui émergent , différentes de ce que
    l'on voit partout.Comme je te l'ai dit, j'avais remarqué tes toiles
    avant de te rencontrer et je suis ravie de cette rencontre!
    J'ai apprécié aussi dans tes toiles abstraites la recherche de la simplification, à la “Kandinski”, vers l'essence de la toile.! La
    plupart des artistes qui font de l'abstrait confondent souvent
    tachistes et visuels avec abstraction!
    En espérant te rencontrer de nouveau je te dis a bientôt avec toutes mes amitiés.
    Marguerite Monticelli
    Artiste-peintre
    Médaille de Vermeil Arts Sciences Lettres
    Commandeur Académie Greci Marino Italie
    Médaille d'Or Fédération Nationale de la Culture Française Toile d'Or 2010 Fédération Nationale de la Culture Française.

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